I'm really happy on how things went today.. I've started by finishing fixing the binding at the lower end of the fretboard ( as seen in part 14 of the Mandocello build) and while the glue was drying I started routing the binding channel and installing the BWB binding around the peghead.
Once done I put it aside to dry and went back to the fretboard to Sand in the 12" Radius with my radius block fitted with 80 grit sandpaper. Once the radius was in I kept sanding until all was left was a glossy shine.
I've then added the Pearloid side dot markers on the fretboard side, cleaned it up and cleaned up the peghead to reveal very nice transitions in between the binding joints. Looks like tomorrow will be all about fretwork and ( cross fingers ) glueing the fretboard to the neck....
Today was a good day!
Athough this is a short video, it does cover a lot of small aspects encoutered during the build, some of them, needing very critical adjustments.
The transition between the neck dovetail, neck block, and binding needs to be extremely precise since the fretboard will be glued to this transition. The Same reasoning applies for the fretboard extender which from the glue up location just rest in mid air and needs to line up perfectly for the fretboard. I'm also taking the time to adjust some visual transitions around the neck block with files and sand paper.
In this video I am also going thru the MoP inlay work on the fretboard and the peghead. And in the end... I come face to face with my first real issue since I started this build...
Been working on the peghead inlay today and was able to finish it. Brand name " Hovington " and flower is glue and sanded. At this point all that is left to do is final sanding after the peghead binding is installed.
Back to the fretboard binding, radius, and frets install! Oh.. and side dots...
Working with Mother of Pearl (MoP) Today.. Adding inlay on a instrument is always time consuming but worth every minute. Today was about cutting the MoP blocks for the fretboard, the flower for the peghead and the name brand using a only jewelers saw. I did have time to glue the fretboard blocks inlay after I routed the cavity for them but still more work to do on the peghead.
Busy day today... After making and shaping the dovetail neck shim and gluing it in, I turned my attention to the fretboard extender. ( this is the piece that will hold the fretboard over the soundboard). I had to start the binding channel in this area since it would have been really hard to achieve at a later stage.
Technically I jumped over the binding step... In order to test the integrity of the instrument. Once the instrument is tested, I will add the binding around the soundboard and the backboard.
I then glued the fretboard extender and cut all the fret slots in the Ebony fretboard...
Today was a good day!
In this video you can see the backboard tuning, glue up and ebony points installation.
Mandocello Backboard glue up!
This is a post for yesterday... Since I was in the process of refreshing my website, I decided to postpone sharing this Blog post till today.
The Backboard glue up is completed, the ebony points are shaped and I feel like a kid in a candy store! So happy with the state of the build and I can hardly wait to hear this monster..
Today in the shop... Working on the points and the backboard is tuned and ready for glue up!!! Today was a pretty good day!
This step took quite a bit longer than I anticipated... Just the sheer size and the amount of wood to be removed. really happy with it and it's dry fitted... Coming up will be tap tuning the backboard and then the glue up!!
Tomy Hovington Luthier